His first full-length collection, Else,
was published by Shearsman in 2008. A second volume with Shearsman, entitled
Back of A Vast, is planned for 2010. Mark’s work will also appear in The Ground
Aslant: Radical Landscape Poetry, edited by Harriet Tarlo (Shearsman 2010).
An
exquisite hand-made box-chapbook and audio CD, entitled Distance A Sudden will
be produced by Brian Lewis of Longbarrow Press (winter 2010).
Mark has a poem in
Rupert Loydell’s Troubles Swapped For Something Fresh (Salt 2009), an anthology of manifestos and unmanifestos about poetics. http://www.saltpublishing.com/books/anth/9781844714711.htm
Another
full-length, entitled Shod, is due out with Nine Arches Press in late summer
2010 –and could be described as a
version of The Gospel that focuses on shoes!
Being a keen
climber & mountaineer with an agricultural background some of Mark's work
deals with climbing, nature, wilderness, and landscape. He is particularly
interested in the spiritual/psychological/religious aspects of landscape and
the human world at large. However, his writing encompasses a broad range of
themes and subjects, as well as a broad range of styles. A great deal of his
work, either blatantly or through subtext deals with imagination and
creativity, particularly relating to writing creatively. Mark’s poetry and 'fiction' is
increasingly becoming linguistically inventive - he is very keen on playing
with forms and styles of written and spoken creativity. He enjoys fresh
mainstream as well as risky otherstream literature.
Walk
The blue mountains
are constantly walking.
If you doubt
mountains walking you do not know your own
walking.
- Gary Snyder
Put
a foot on a rock. Choose
one route through millions of
pebbles. Follow
clearly seen, sometimes pain-filled
paths, or abandon
people's spoor and artefact.
Wander.Smell
peats' waters. Sniff
dry limestone's,
rhyolite's, granite's, or grit's
dusts
as ground's scuffed. Inhale
subtle or pungent sap sprays as
plants are squeezed. Flex
leg-flesh. Side-step. Skip.
Scamper. Mould
rough world through soles. Drum
never-the-same rhythms of picking
places to balance